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Lucy Pringle
Lucy Pringle is one of the most prominent crop circle researchers, known for her aerial photography, scientific investigations into the effects of crop circles, and her role as a public lecturer and author.
Background & Work
• Aerial Photographer: Lucy Pringle has built one of the UK’s most comprehensive photographic archives of crop circles, documenting formations from above with striking clarity.
• Author & Lecturer: She has written extensively on crop circles, including books such as Crop Circles: The Greatest Mystery of Modern Times (1999) and The Energies of Crop Circles (2019, co‑authored with James Lyons).
• Public Speaker: She has lectured internationally, including at the School of the Art Institute of Chicago in 2015 and the Institute of Science and Astrophysics in Sofia, Bulgaria in 2014.
Research Focus
• Energetic & Healing Effects: Pringle is particularly known for investigating the physical and psychological effects of crop circles on humans and animals. She has collected data from large questionnaire studies (over 800 participants) and reported phenomena such as temporary relief of Parkinson’s symptoms in some visitors.
• Scientific Collaboration: She has worked with scientists worldwide, including aerospace engineer James Lyons, to explore possible energetic anomalies associated with crop circles.
• Personal Experience: In 1990, while studying a crop circle, she reported a “miraculous healing” of a severe shoulder injury, which inspired her to expand her research.
Publications & Media
• Books:
• Crop Circles: The Greatest Mystery of Modern Times (1999)
• Crop Circles: Signs, Wonders and Mysteries (2006)
• The Energies of Crop Circles (2019)
• Media Appearances: She has been featured on BBC, Meridian Television, and The Big Breakfast Show. The BBC’s Inside Out produced a program on her research.
• Documentaries & Interviews: She continues to appear in programs and podcasts discussing both the artistry and metaphysical aspects of crop circles.
Reception
• Supporters: Admire her dedication, photographic record, and willingness to explore unconventional scientific questions.
• Critics: Some sceptics argue her books contain factual errors or rely on questionable eyewitness accounts.
• Legacy: Regardless of debate, Lucy Pringle remains a central figure in crop circle history, bridging the gap between documentation, science, and mystery.
In short: Lucy Pringle is not just a chronicler of crop circles but a researcher who has sought to understand their energetic impact on people and animals, while preserving their visual legacy through aerial photography.
Background & Work
• Aerial Photographer: Lucy Pringle has built one of the UK’s most comprehensive photographic archives of crop circles, documenting formations from above with striking clarity.
• Author & Lecturer: She has written extensively on crop circles, including books such as Crop Circles: The Greatest Mystery of Modern Times (1999) and The Energies of Crop Circles (2019, co‑authored with James Lyons).
• Public Speaker: She has lectured internationally, including at the School of the Art Institute of Chicago in 2015 and the Institute of Science and Astrophysics in Sofia, Bulgaria in 2014.
Research Focus
• Energetic & Healing Effects: Pringle is particularly known for investigating the physical and psychological effects of crop circles on humans and animals. She has collected data from large questionnaire studies (over 800 participants) and reported phenomena such as temporary relief of Parkinson’s symptoms in some visitors.
• Scientific Collaboration: She has worked with scientists worldwide, including aerospace engineer James Lyons, to explore possible energetic anomalies associated with crop circles.
• Personal Experience: In 1990, while studying a crop circle, she reported a “miraculous healing” of a severe shoulder injury, which inspired her to expand her research.
Publications & Media
• Books:
• Crop Circles: The Greatest Mystery of Modern Times (1999)
• Crop Circles: Signs, Wonders and Mysteries (2006)
• The Energies of Crop Circles (2019)
• Media Appearances: She has been featured on BBC, Meridian Television, and The Big Breakfast Show. The BBC’s Inside Out produced a program on her research.
• Documentaries & Interviews: She continues to appear in programs and podcasts discussing both the artistry and metaphysical aspects of crop circles.
Reception
• Supporters: Admire her dedication, photographic record, and willingness to explore unconventional scientific questions.
• Critics: Some sceptics argue her books contain factual errors or rely on questionable eyewitness accounts.
• Legacy: Regardless of debate, Lucy Pringle remains a central figure in crop circle history, bridging the gap between documentation, science, and mystery.
In short: Lucy Pringle is not just a chronicler of crop circles but a researcher who has sought to understand their energetic impact on people and animals, while preserving their visual legacy through aerial photography.
Peter Guy Hulett
Peter Guy Hulett – A Journey Into the Crop Circle Mystery ( Researcher)
Peter Guy Hulett is a British marketing director and former company officer based in Cheltenham, Gloucestershire. He has held several directorships across different businesses, including ventures connected to crop circle research.
Key Facts About Peter Guy Hulett
• Born: February 1965
• Nationality: British, resident in the United Kingdom – though he spent a significant time in South Africa.
• Occupation: Marketing Director
• Business Roles:
• Director of Hewlett Trading Limited
• Director of Scene The Salon Limited and Scene Hair Salons Limited
• Director of Mondo Unico Limited (2011)
• Involved in Afdos Swazi Limited, incorporated in 2017
• Formerly linked to Crop Circle Wisdom LLP (2009–2010), which tied him directly to the crop circle phenomenon. This came to a quick end after Peter applied his talent and careful thinking, he discovered the true secret of Wiltshire very quickly.
Education & Career
Perhaps most intriguing is his role with crop circles, where he became the director of Crop Circle Wisdom LLP between November 2009 and November 2010. This suggests he was formally involved in organizing or promoting crop circle‑related activities, blending business with the mystery and folklore of the phenomenon.
Peter, a self‑made millionaire, was captivated by this fascinating art and wanted to uncover how – or who – created these formations. Living in the same town as researcher Andrew Pyrka, the two joined forces to explore the phenomenon together. For a time, Peter even became Andrew’s sponsor, which stirred jealousy within the crop circle community.
Andrew later wrote in his journal:
“Peter, an extraordinarily intelligent gentleman, very generous – even offered to buy a base to work from, to study the phenomenon in Wiltshire. His generosity was too much, which I had to kindly decline. Peter was adamant to help and wished to be involved, so he bought a two‑seater plane. Together we learnt to fly, so we could take our own aerial photography and fly others over crop circle county Wiltshire – hence the Crop Circle Wisdom LLP company.”
Peter’s ambitions didn’t stop there. He attempted to buy the famous Barge Inn when it came up for sale, even offering Charles Mallett the chance to house his Silent Circle café within it. But at the last moment, Peter was outbid by a community group – a decision that, in hindsight, proved unsuccessful for the locals.
The Turning Point
One day at Clench Airfield, Peter and Andrew prepared to fly over Wiltshire to capture the latest crop circle near Silbury Hill. While Andrew took to the skies, Peter encountered Julian Gibson of Crop Circle Connector. Acting the curious tourist, Peter asked bluntly for the truth – no matter the cost. Arrangements were made and so few days later, Peter met Julian Richardson, one of Wiltshire’s master circle makers. After sharing a meal, they headed into the fields. Under cover of darkness, Peter witnessed the creation of the Chisbury Star formation. No aliens. No mysterious forces. Just human skill, precision, and artistry.
Breaking the News
Unsure how to tell Andrew, Peter sent a cryptic text:
“If you are going to the new Chisbury Star formation – I have left a coin under a stone for you to find.” At dawn, Andrew arrived at the formation, found the coin, and later heard Peter’s full account of how the circle had been made. Though Peter worried he might shatter Andrew’s belief, Andrew accepted the truth. In fact, it deepened his research, shifting it toward uncovering the human artistry behind the phenomenon.
The Industry Revealed
Andrew sat in the Chisbury Star, absorbing its symmetry and taking photographs. Hours slipped by unnoticed. Just as he was about to leave, a small plane flew overhead, capturing images of the formation. Within the hour, the first tourist coaches rolled in.
And then the light bulb moment struck:
“Aha! So this is how the industry works – create the crop circle, inform the guardians of its location, the guardians announce it, and then the tourists flock.”
The realization reframed everything. Crop circles weren’t just mysterious artworks; they were part of a finely tuned system – a cycle of creation, revelation, and spectacle.
Legacy & Moral
Once Peter discovered the truth for himself, he felt his duty was complete. His journey showed that the crop circle mystery was not about extraterrestrial energy, but about human creativity, belief, and the willingness to seek answers.
The moral of the story: you can discover the truth for yourself – if you are prepared to go above and beyond.
Peter Guy Hulett is a British marketing director and former company officer based in Cheltenham, Gloucestershire. He has held several directorships across different businesses, including ventures connected to crop circle research.
Key Facts About Peter Guy Hulett
• Born: February 1965
• Nationality: British, resident in the United Kingdom – though he spent a significant time in South Africa.
• Occupation: Marketing Director
• Business Roles:
• Director of Hewlett Trading Limited
• Director of Scene The Salon Limited and Scene Hair Salons Limited
• Director of Mondo Unico Limited (2011)
• Involved in Afdos Swazi Limited, incorporated in 2017
• Formerly linked to Crop Circle Wisdom LLP (2009–2010), which tied him directly to the crop circle phenomenon. This came to a quick end after Peter applied his talent and careful thinking, he discovered the true secret of Wiltshire very quickly.
Education & Career
- Studied Economics at the University of Buckingham (1988–1990)
- Attended Gordonstoun School, a prestigious boarding school in Scotland
- Has worked independently since 2014, according to his LinkedIn profile
Perhaps most intriguing is his role with crop circles, where he became the director of Crop Circle Wisdom LLP between November 2009 and November 2010. This suggests he was formally involved in organizing or promoting crop circle‑related activities, blending business with the mystery and folklore of the phenomenon.
Peter, a self‑made millionaire, was captivated by this fascinating art and wanted to uncover how – or who – created these formations. Living in the same town as researcher Andrew Pyrka, the two joined forces to explore the phenomenon together. For a time, Peter even became Andrew’s sponsor, which stirred jealousy within the crop circle community.
Andrew later wrote in his journal:
“Peter, an extraordinarily intelligent gentleman, very generous – even offered to buy a base to work from, to study the phenomenon in Wiltshire. His generosity was too much, which I had to kindly decline. Peter was adamant to help and wished to be involved, so he bought a two‑seater plane. Together we learnt to fly, so we could take our own aerial photography and fly others over crop circle county Wiltshire – hence the Crop Circle Wisdom LLP company.”
Peter’s ambitions didn’t stop there. He attempted to buy the famous Barge Inn when it came up for sale, even offering Charles Mallett the chance to house his Silent Circle café within it. But at the last moment, Peter was outbid by a community group – a decision that, in hindsight, proved unsuccessful for the locals.
The Turning Point
One day at Clench Airfield, Peter and Andrew prepared to fly over Wiltshire to capture the latest crop circle near Silbury Hill. While Andrew took to the skies, Peter encountered Julian Gibson of Crop Circle Connector. Acting the curious tourist, Peter asked bluntly for the truth – no matter the cost. Arrangements were made and so few days later, Peter met Julian Richardson, one of Wiltshire’s master circle makers. After sharing a meal, they headed into the fields. Under cover of darkness, Peter witnessed the creation of the Chisbury Star formation. No aliens. No mysterious forces. Just human skill, precision, and artistry.
Breaking the News
Unsure how to tell Andrew, Peter sent a cryptic text:
“If you are going to the new Chisbury Star formation – I have left a coin under a stone for you to find.” At dawn, Andrew arrived at the formation, found the coin, and later heard Peter’s full account of how the circle had been made. Though Peter worried he might shatter Andrew’s belief, Andrew accepted the truth. In fact, it deepened his research, shifting it toward uncovering the human artistry behind the phenomenon.
The Industry Revealed
Andrew sat in the Chisbury Star, absorbing its symmetry and taking photographs. Hours slipped by unnoticed. Just as he was about to leave, a small plane flew overhead, capturing images of the formation. Within the hour, the first tourist coaches rolled in.
And then the light bulb moment struck:
“Aha! So this is how the industry works – create the crop circle, inform the guardians of its location, the guardians announce it, and then the tourists flock.”
The realization reframed everything. Crop circles weren’t just mysterious artworks; they were part of a finely tuned system – a cycle of creation, revelation, and spectacle.
Legacy & Moral
Once Peter discovered the truth for himself, he felt his duty was complete. His journey showed that the crop circle mystery was not about extraterrestrial energy, but about human creativity, belief, and the willingness to seek answers.
The moral of the story: you can discover the truth for yourself – if you are prepared to go above and beyond.
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Early morning at the Chisbury Star formation
Dave Dawson
Dave Dawson is a British musician, author, and performer who has also been linked to crop circle making. He is best known today for his decades-long career as a touring singer and writer, but his name also surfaces in Wiltshire’s crop circle lore.
Musician & Author
• Dawson has spent over 30 years on the road as a full-time professional musician, performing thousands of shows across pubs, clubs, hotels, theatres, gardens, hen parties, and even care homes.
• He writes under his own name and the pseudonym Dave Philpott, publishing witty and revealing books about the music industry.
• His latest work, Pop Idle (2024), is his fifth book, described as “lifting the lid on 30 years on the bottom rung of the showbiz ladder”.
• Earlier titles include Dear Mr. Kershaw, Dear Mr. Pop Star, and Grammar Free in the UK, which humorously dissect pop lyrics and the quirks of the music scene.
Crop Circle Connection
Beyond music, Dawson has been mentioned in connection with circle making in Wiltshire, where artistry and folklore collide. Accounts within the crop circle community suggest he was among those who helped craft formations, blending performance art with mystery. His dual identity—as entertainer and circle maker—adds intrigue to his profile, situating him at the intersection of popular culture and fringe phenomena.
• Multifaceted figure: Not just a musician, but also an author and participant in crop circle creation.
• Insider perspective: His books reveal the gritty realities of life on the road, while his crop circle involvement hints at the hidden mechanics behind one of England’s most enduring mysteries.
• Cultural crossover: Dawson embodies the way crop circles attract artists, performers, and storytellers—people who thrive on spectacle and mystery. He is also a multi phenomenon experiencer out in the fields of Wiltshire. A crop circle book by Dave is rumoured for release soon.
Musician & Author
• Dawson has spent over 30 years on the road as a full-time professional musician, performing thousands of shows across pubs, clubs, hotels, theatres, gardens, hen parties, and even care homes.
• He writes under his own name and the pseudonym Dave Philpott, publishing witty and revealing books about the music industry.
• His latest work, Pop Idle (2024), is his fifth book, described as “lifting the lid on 30 years on the bottom rung of the showbiz ladder”.
• Earlier titles include Dear Mr. Kershaw, Dear Mr. Pop Star, and Grammar Free in the UK, which humorously dissect pop lyrics and the quirks of the music scene.
Crop Circle Connection
Beyond music, Dawson has been mentioned in connection with circle making in Wiltshire, where artistry and folklore collide. Accounts within the crop circle community suggest he was among those who helped craft formations, blending performance art with mystery. His dual identity—as entertainer and circle maker—adds intrigue to his profile, situating him at the intersection of popular culture and fringe phenomena.
• Multifaceted figure: Not just a musician, but also an author and participant in crop circle creation.
• Insider perspective: His books reveal the gritty realities of life on the road, while his crop circle involvement hints at the hidden mechanics behind one of England’s most enduring mysteries.
• Cultural crossover: Dawson embodies the way crop circles attract artists, performers, and storytellers—people who thrive on spectacle and mystery. He is also a multi phenomenon experiencer out in the fields of Wiltshire. A crop circle book by Dave is rumoured for release soon.
A rare capture of Mark Fussell (Right corner)
Mark Jonathan Fussell is the co‑founder and long‑time webmaster of Crop Circle Connector, widely regarded as the largest and most influential crop circle website in the world. He has been central to documenting, editing, and curating reports, images, and discussions of crop circles since 1995.
Mark Fussell’s Role in Crop Circle Connector
• Co‑founder (1995): Alongside Stuart Dike, Fussell launched Crop Circle Connector, which quickly became the go‑to archive for crop circle reports worldwide.
• Primary editor & webmaster: He has overseen the site’s international database, ensuring that new formations are catalogued with photographs, diagrams, and eyewitness accounts.
• Video production: Fussell co‑produced and edited crop circle documentaries and DVDs in the 2000s, working with aerial cameramen like Julian Gibsone (John Montgomery) and Stuart Dike to capture formations from both ground and air.
• Community hub: The site under his stewardship has acted as a bridge between researchers, enthusiasts, and sceptics, offering a platform where the phenomenon’s artistry and mystery are preserved.
Mark Jonathan Fussell: The Silent Archivist of Crop Circles
• Not a Maker, but a Keeper: Unlike the circlemakers who bent stalks under moonlight, Fussell’s artistry lay in curation. He became the archivist of mystery, ensuring that every formation was photographed, catalogued, and preserved for posterity.
• The Filtering Hand: His editorial discretion was crucial. If a formation was known to be commissioned — for advertising or corporate art — Fussell often withheld it from the main board. This wasn’t censorship so much as guardianship: a way of protecting the fragile aura of mystery that surrounded the phenomenon.
• Quiet Presence: In an era of heated debates and flamboyant personalities, Fussell remained almost invisible. Rarely engaging in social media or public arguments, he simply observed, letting the Connector speak for itself. His silence gave him an enigmatic authority.
• Preserving Wonder: By choosing what to include and what to omit, Fussell shaped the collective memory of crop circles. His decisions ensured that the phenomenon retained its mythic quality, resisting the dilution of mystery by overt commercialism.
Mark Fussell’s Role in Crop Circle Connector
• Co‑founder (1995): Alongside Stuart Dike, Fussell launched Crop Circle Connector, which quickly became the go‑to archive for crop circle reports worldwide.
• Primary editor & webmaster: He has overseen the site’s international database, ensuring that new formations are catalogued with photographs, diagrams, and eyewitness accounts.
• Video production: Fussell co‑produced and edited crop circle documentaries and DVDs in the 2000s, working with aerial cameramen like Julian Gibsone (John Montgomery) and Stuart Dike to capture formations from both ground and air.
• Community hub: The site under his stewardship has acted as a bridge between researchers, enthusiasts, and sceptics, offering a platform where the phenomenon’s artistry and mystery are preserved.
Mark Jonathan Fussell: The Silent Archivist of Crop Circles
• Not a Maker, but a Keeper: Unlike the circlemakers who bent stalks under moonlight, Fussell’s artistry lay in curation. He became the archivist of mystery, ensuring that every formation was photographed, catalogued, and preserved for posterity.
• The Filtering Hand: His editorial discretion was crucial. If a formation was known to be commissioned — for advertising or corporate art — Fussell often withheld it from the main board. This wasn’t censorship so much as guardianship: a way of protecting the fragile aura of mystery that surrounded the phenomenon.
• Quiet Presence: In an era of heated debates and flamboyant personalities, Fussell remained almost invisible. Rarely engaging in social media or public arguments, he simply observed, letting the Connector speak for itself. His silence gave him an enigmatic authority.
• Preserving Wonder: By choosing what to include and what to omit, Fussell shaped the collective memory of crop circles. His decisions ensured that the phenomenon retained its mythic quality, resisting the dilution of mystery by overt commercialism.
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Not a lot is known about these 2 interesting videos which show Julian Gibson and Mark Fussell from crop circle connector with Steve Alexander and circle makers such as John Lundberg. An indication of collusion perhaps? Make your own mind up on this one. If anyone knows anymore what's going on in these videos or who they belong to then please let me know.
Julian Gibsone
Julian Gibsone ( used the alias John Montgomery in the early days) was a filmmaker, cameraman, and editor closely tied to Crop Circle Connector, where he played a vital role in documenting and presenting the phenomenon through video.
He could also be placed into the category of 'Crop Circle Guardian ' .
Gibsone’s Contributions
• Director & Cameraman: Gibsone directed several crop circle documentaries, combining aerial and ground footage to capture the formations in their full majesty.
• Collaboration with Mark Fussell & Stuart Dike: He worked alongside Fussell (editor/webmaster) and Dike (aerial cameraman) to produce DVDs such as Crop Circles of the 21st Century and Reflections of a Season.
• Editing & Production: Gibsone was responsible for editing these films, weaving together footage, interviews, and music to create immersive experiences. His style emphasized both the artistry and mystery of the circles.
• Musical Collaborations: Some productions featured scores by Justine Gibsone (likely a relative), adding an atmospheric dimension to the films.
• Legacy: Between 2000–2008, Gibsone’s work helped establish Crop Circle Connector’s reputation not just as an archive but as a multimedia hub, bringing the phenomenon into homes worldwide. John to this day manages as admin the Facebook page ' Crop Circles - UFO's - Ancient Mysteries - Scientific Speculations '
He could also be placed into the category of 'Crop Circle Guardian ' .
Gibsone’s Contributions
• Director & Cameraman: Gibsone directed several crop circle documentaries, combining aerial and ground footage to capture the formations in their full majesty.
• Collaboration with Mark Fussell & Stuart Dike: He worked alongside Fussell (editor/webmaster) and Dike (aerial cameraman) to produce DVDs such as Crop Circles of the 21st Century and Reflections of a Season.
• Editing & Production: Gibsone was responsible for editing these films, weaving together footage, interviews, and music to create immersive experiences. His style emphasized both the artistry and mystery of the circles.
• Musical Collaborations: Some productions featured scores by Justine Gibsone (likely a relative), adding an atmospheric dimension to the films.
• Legacy: Between 2000–2008, Gibsone’s work helped establish Crop Circle Connector’s reputation not just as an archive but as a multimedia hub, bringing the phenomenon into homes worldwide. John to this day manages as admin the Facebook page ' Crop Circles - UFO's - Ancient Mysteries - Scientific Speculations '
Francesco Grassi
Francesco Grassi is an Italian engineer, sceptic, and crop circle maker best known for blending artistry with social experimentation—most famously through the 2011 “Enki Ea” formation near Turin.
Background
• Born in 1966, Grassi holds a Master’s degree in Electronics Engineering from the University of Pavia.
• He works in the software industry but is also a science writer and long-time member of CICAP (Italian Committee for the Investigation of Claims of Pseudoscience), founded by journalist Piero Angela.
Crop Circle Involvement
• In 2004, Grassi travelled to Wiltshire, UK, where he collaborated with English circle makers to learn the techniques of the craft.
• In 2011, he secretly authored the “Enki Ea” crop circle in Poirino, Piedmont. The design referenced Sumerian mythology and encoded astronomical data. Thousands visited the site, interpreting it as a UFO landing or mystical sign before Grassi revealed himself as the creator.
• He later described the event as a global social experiment, testing how people interpret unexplained phenomena. The formation became iconic and even featured on the cover of his book.
Publications & Media
• In 2012, Grassi published Crop Circles: Signs of Intelligence, reconstructing the history of the phenomenon and debunking pseudoscientific claims.
• He has written critical papers analyzing supposed scientific evidence of crop circles, pointing out flaws in claims about electromagnetic radiation and paranormal origins.
• His YouTube channel documents crop circle projects, including the making-of videos for formations like Scalenghe 2017.
Legacy
• Grassi is often described as a “cryptic circle maker” because his designs carry layered symbolism—mathematical, mythological, and cultural.
• Unlike pranksters, his intent was educational and sociological: to show how easily mystery can be manufactured and how belief systems shape interpretation.
• He remains a bridge figure between sceptics and artists, demonstrating that crop circles can be both artistic land works and social commentaries.
Background
• Born in 1966, Grassi holds a Master’s degree in Electronics Engineering from the University of Pavia.
• He works in the software industry but is also a science writer and long-time member of CICAP (Italian Committee for the Investigation of Claims of Pseudoscience), founded by journalist Piero Angela.
Crop Circle Involvement
• In 2004, Grassi travelled to Wiltshire, UK, where he collaborated with English circle makers to learn the techniques of the craft.
• In 2011, he secretly authored the “Enki Ea” crop circle in Poirino, Piedmont. The design referenced Sumerian mythology and encoded astronomical data. Thousands visited the site, interpreting it as a UFO landing or mystical sign before Grassi revealed himself as the creator.
• He later described the event as a global social experiment, testing how people interpret unexplained phenomena. The formation became iconic and even featured on the cover of his book.
Publications & Media
• In 2012, Grassi published Crop Circles: Signs of Intelligence, reconstructing the history of the phenomenon and debunking pseudoscientific claims.
• He has written critical papers analyzing supposed scientific evidence of crop circles, pointing out flaws in claims about electromagnetic radiation and paranormal origins.
• His YouTube channel documents crop circle projects, including the making-of videos for formations like Scalenghe 2017.
Legacy
• Grassi is often described as a “cryptic circle maker” because his designs carry layered symbolism—mathematical, mythological, and cultural.
• Unlike pranksters, his intent was educational and sociological: to show how easily mystery can be manufactured and how belief systems shape interpretation.
• He remains a bridge figure between sceptics and artists, demonstrating that crop circles can be both artistic land works and social commentaries.
Francesco and his circle making team
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Francesco's publication with an appropriate title, although it should say ( Signs of Human Intelligence )
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Couple of examples of Francesco's very large and perfect creations
Paul Damon - RIP
Paul Damon was a lesser-known but respected figure in the circle making community, remembered for his creative contributions and for being part of the generation that helped shape the art form in the 1990s and 2000s. While not as publicly visible as names like John Lundberg or Julian Richardson, Damon’s work and presence left an impression among insiders and enthusiasts.
Who Paul Damon Was
• Circle Maker & Collaborator: Paul Damon was involved in the design and execution of crop circles, often working in teams rather than seeking individual recognition. His approach reflected the ethos of circlemaking as a collaborative, almost ritualistic art form.
• Creative Vision: Accounts suggest he was particularly interested in the symbolic and cultural resonance of designs, aiming to communicate ideas through geometry and land art.
Documented Work: A rare video clip exists showing Damon in the design phase of a circle, preparing before heading into the field. The formation was reportedly intended to excite and inspire native communities in Peru, who would understand its symbolic message.
Legacy & Documentation
• Video Evidence: The YouTube video “Paul Damon Circle making” offers a fly-on-the-wall look at Damon and others sketching designs before execution. It’s one of the few surviving records of his direct involvement.
• Community Memory: Damon is remembered within the circlemaking community as one of the quieter contributors—someone who valued the art and mystery over publicity. His passing marked the loss of a craftsman who helped sustain the tradition.
Why He Matters
• Part of the Hidden Network: Damon represents the many circle makers whose names are not widely known but who played crucial roles in sustaining the phenomenon.
• Symbolic Work: His interest in creating designs with cultural meaning (like the Peruvian-inspired circle) shows how circlemakers often sought to connect their art to broader human stories, not just abstract geometry.
• Legacy of Mystery: Because Damon didn’t seek fame, his story adds to the aura of secrecy and myth that surrounds crop circles—reminding us that many hands shaped the phenomenon, not just the headline names.
Reflection
Paul Damon’s life and work highlight the unsung artisans of crop circle history. While others became public faces, Damon’s quieter role underscores how circle making was always a collective endeavour, blending geometry, symbolism, and cultural resonance. His legacy lives on in the designs he helped create and in the memories of those who worked alongside him.
Who Paul Damon Was
• Circle Maker & Collaborator: Paul Damon was involved in the design and execution of crop circles, often working in teams rather than seeking individual recognition. His approach reflected the ethos of circlemaking as a collaborative, almost ritualistic art form.
• Creative Vision: Accounts suggest he was particularly interested in the symbolic and cultural resonance of designs, aiming to communicate ideas through geometry and land art.
Documented Work: A rare video clip exists showing Damon in the design phase of a circle, preparing before heading into the field. The formation was reportedly intended to excite and inspire native communities in Peru, who would understand its symbolic message.
Legacy & Documentation
• Video Evidence: The YouTube video “Paul Damon Circle making” offers a fly-on-the-wall look at Damon and others sketching designs before execution. It’s one of the few surviving records of his direct involvement.
• Community Memory: Damon is remembered within the circlemaking community as one of the quieter contributors—someone who valued the art and mystery over publicity. His passing marked the loss of a craftsman who helped sustain the tradition.
Why He Matters
• Part of the Hidden Network: Damon represents the many circle makers whose names are not widely known but who played crucial roles in sustaining the phenomenon.
• Symbolic Work: His interest in creating designs with cultural meaning (like the Peruvian-inspired circle) shows how circlemakers often sought to connect their art to broader human stories, not just abstract geometry.
• Legacy of Mystery: Because Damon didn’t seek fame, his story adds to the aura of secrecy and myth that surrounds crop circles—reminding us that many hands shaped the phenomenon, not just the headline names.
Reflection
Paul Damon’s life and work highlight the unsung artisans of crop circle history. While others became public faces, Damon’s quieter role underscores how circle making was always a collective endeavour, blending geometry, symbolism, and cultural resonance. His legacy lives on in the designs he helped create and in the memories of those who worked alongside him.
Will Russell
Will (often credited as Wil) Russell is a British circle maker who worked alongside John Lundberg, Rod Dickinson and Rob Irving contributing to some of the most publicized crop circle projects of the early 2000s. He is remembered for blending art, myth, and media spectacle, and for being part of the professionalized “Circlemakers” collective.
Key Facts About Will Russell
• Circlemakers Collective: Russell was part of the group known as Circlemakers, alongside John Lundberg and Rod Dickinson. This collective deliberately blurred the line between art and hoax, treating crop circles as a form of land art and cultural commentary.
• History Channel Commission (2002): On 2 July 2002, Russell, Lundberg, and Dickinson created a 140-foot crop circle depicting the History Channel’s logo. This was for the documentary History vs. Hollywood, tied to the release of the Mel Gibson film Signs. The formation was designed to show how crop circles could be deliberately engineered for media.
• Media Appearances: Russell has appeared in documentaries and interviews about crop circles, including Ancient Aliens (2023), where he was credited as “Self – Crop Circle Maker”. His presence in such programs highlights how circle makers often became part of the myth-making process themselves.
• Artistic Approach: Like his collaborators, Russell saw crop circles not as mere pranks but as conceptual art—a way to explore belief, mystery, and the tension between scepticism and wonder.
Cultural Impact
• Signs & Media Frenzy: The Signs movie (2002) reignited global interest in crop circles. Russell’s History Channel commission was part of a wave of media projects that sought to capitalize on this fascination, showing the human artistry behind the phenomenon.
• Myth & Reality: By participating in both the creation of circles and their documentation, Russell helped shape the narrative that crop circles were not alien artifacts but human-made artworks with cultural resonance.
Legacy
• Bridge Between Worlds: Russell’s work sits at the intersection of art, folklore, and media spectacle. He represents the generation of circle makers who professionalized the craft, moving it from clandestine night time activity into commissioned, documented art projects.
• Part of the Hidden Network: While not as publicly prominent as Lundberg, Russell’s contributions remind us that crop circles were always collaborative endeavours, with many hands shaping the phenomenon.
Key Facts About Will Russell
• Circlemakers Collective: Russell was part of the group known as Circlemakers, alongside John Lundberg and Rod Dickinson. This collective deliberately blurred the line between art and hoax, treating crop circles as a form of land art and cultural commentary.
• History Channel Commission (2002): On 2 July 2002, Russell, Lundberg, and Dickinson created a 140-foot crop circle depicting the History Channel’s logo. This was for the documentary History vs. Hollywood, tied to the release of the Mel Gibson film Signs. The formation was designed to show how crop circles could be deliberately engineered for media.
• Media Appearances: Russell has appeared in documentaries and interviews about crop circles, including Ancient Aliens (2023), where he was credited as “Self – Crop Circle Maker”. His presence in such programs highlights how circle makers often became part of the myth-making process themselves.
• Artistic Approach: Like his collaborators, Russell saw crop circles not as mere pranks but as conceptual art—a way to explore belief, mystery, and the tension between scepticism and wonder.
Cultural Impact
• Signs & Media Frenzy: The Signs movie (2002) reignited global interest in crop circles. Russell’s History Channel commission was part of a wave of media projects that sought to capitalize on this fascination, showing the human artistry behind the phenomenon.
• Myth & Reality: By participating in both the creation of circles and their documentation, Russell helped shape the narrative that crop circles were not alien artifacts but human-made artworks with cultural resonance.
Legacy
• Bridge Between Worlds: Russell’s work sits at the intersection of art, folklore, and media spectacle. He represents the generation of circle makers who professionalized the craft, moving it from clandestine night time activity into commissioned, documented art projects.
• Part of the Hidden Network: While not as publicly prominent as Lundberg, Russell’s contributions remind us that crop circles were always collaborative endeavours, with many hands shaping the phenomenon.
Rod Dickinson
Rod Dickinson is one of the most influential and daring figures in the crop circle world, blending art, deception, and social commentary into his creations.
Biography & Circlemaking
• Born in 1965, Dickinson trained as a painter before turning to conceptual art.
• He began making crop circles in 1991, at the height of UFO fever, and went on to create over 500 formations across the UK.
• His work was often done in collaboration with other circle makers like John Lundberg and Wil Russell, forming the professionalized collective known as the Circlemakers.
• In 2002, Dickinson and his team famously created a 140-foot crop circle depicting the History Channel’s logo for the documentary History vs. Hollywood, tying into the release of the film Signs.
Artistic Vision
• Dickinson’s crop circles were not just pranks or hoaxes — they were artworks exploring belief systems, myth, and spectacle.
• His fascination with peripheral belief (UFOs, conspiracy theories, paranormal phenomena) fed directly into his art, which has been exhibited in galleries worldwide.
• He later expanded beyond crops, creating sand formations in 2004, filmed by the BBC from a helicopter.
The Trickster Element
• Art critic John Roberts described Dickinson as a “trickster”, noting how his crop circles played with the tension between belief and scepticism.
• Working covertly at night, Dickinson and his collaborators risked confrontation with farmers and authorities — the act itself was a performance of secrecy and danger.
• His projects often blurred the line between art installation, social experiment, and cultural hoax, making him one of the most intellectually provocative circle makers.
Legacy
• Dickinson is remembered not only as a master circle maker but as an artist who reframed the phenomenon as a lens on human psychology, belief, and the hunger for mystery.
• His work sits at the intersection of land art, performance, and cultural critique, making him one of the most important figures in the modern crop circle movement.
Biography & Circlemaking
• Born in 1965, Dickinson trained as a painter before turning to conceptual art.
• He began making crop circles in 1991, at the height of UFO fever, and went on to create over 500 formations across the UK.
• His work was often done in collaboration with other circle makers like John Lundberg and Wil Russell, forming the professionalized collective known as the Circlemakers.
• In 2002, Dickinson and his team famously created a 140-foot crop circle depicting the History Channel’s logo for the documentary History vs. Hollywood, tying into the release of the film Signs.
Artistic Vision
• Dickinson’s crop circles were not just pranks or hoaxes — they were artworks exploring belief systems, myth, and spectacle.
• His fascination with peripheral belief (UFOs, conspiracy theories, paranormal phenomena) fed directly into his art, which has been exhibited in galleries worldwide.
• He later expanded beyond crops, creating sand formations in 2004, filmed by the BBC from a helicopter.
The Trickster Element
• Art critic John Roberts described Dickinson as a “trickster”, noting how his crop circles played with the tension between belief and scepticism.
• Working covertly at night, Dickinson and his collaborators risked confrontation with farmers and authorities — the act itself was a performance of secrecy and danger.
• His projects often blurred the line between art installation, social experiment, and cultural hoax, making him one of the most intellectually provocative circle makers.
Legacy
• Dickinson is remembered not only as a master circle maker but as an artist who reframed the phenomenon as a lens on human psychology, belief, and the hunger for mystery.
• His work sits at the intersection of land art, performance, and cultural critique, making him one of the most important figures in the modern crop circle movement.
Rob Buckle
Rob Buckle is a researcher, author, and lecturer deeply connected to the crop circle phenomenon, known for blending ufology, spirituality, and conspiracy theory into his interpretations.
Background & Path into Crop Circles
• Buckle describes himself as a “truth-seeker since 1997”, after what he claims was a UFO encounter that set him on a path into ufology, conspiracy research, ancient history, and spirituality.
• This journey naturally led him into the mystery of crop circles, which he views not simply as human-made art but as part of a wider web of unexplained phenomena.
Publications & Philosophy
• Buckle authored Zen Rabbit’s Holistic Guide to Crop Circles: A Journey of Revelation (2017), which explores crop circles as part of a larger spiritual and metaphysical framework.
• The book uses the metaphor of the “Zen Rabbit” to symbolize collective consciousness and the seeker’s quest for truth.
• It argues that crop circles are linked to energy anomalies, synchronicities, and consciousness shifts, rather than just physical markings in fields.
• His work is considered part of the “New School of Cerealogy”, a wave of researchers who reject the older extraterrestrial explanations but still insist the phenomenon has profound meaning.
Lectures & Media Presence
• Buckle has given lectures on crop circles, UFOs, and related mysteries, often weaving in themes of time loops, rabbit holes, and altered states of reality.
• His talks emphasize the psychological and spiritual impact of crop circles, suggesting they act as catalysts for awakening or expanded perception.
Connection to the Crop Circle Community
• Unlike circle makers such as Rod Dickinson or John Lundberg, Buckle is not known for physically creating formations. Instead, his role is as a commentator, interpreter, and philosopher of the phenomenon, although created a crop circle for the purpose of research.
• He positions himself against mainstream sceptics, claiming that “startling conclusions” about crop circles are being ignored or suppressed.
• His perspective appeals to those who see crop circles as mystical events rather than mere hoaxes.
Legacy & Impact
• Buckle’s contribution lies in reframing crop circles as spiritual symbols rather than puzzles to be solved.
• By connecting them to consciousness, synchronicity, and metaphysics, he has helped sustain the mystical aura of the phenomenon in the 21st century.
• His work represents a bridge between traditional UFOlogy and modern spiritual interpretations, keeping the mystery alive for audiences who thrive on wonder rather than debunking.
Background & Path into Crop Circles
• Buckle describes himself as a “truth-seeker since 1997”, after what he claims was a UFO encounter that set him on a path into ufology, conspiracy research, ancient history, and spirituality.
• This journey naturally led him into the mystery of crop circles, which he views not simply as human-made art but as part of a wider web of unexplained phenomena.
Publications & Philosophy
• Buckle authored Zen Rabbit’s Holistic Guide to Crop Circles: A Journey of Revelation (2017), which explores crop circles as part of a larger spiritual and metaphysical framework.
• The book uses the metaphor of the “Zen Rabbit” to symbolize collective consciousness and the seeker’s quest for truth.
• It argues that crop circles are linked to energy anomalies, synchronicities, and consciousness shifts, rather than just physical markings in fields.
• His work is considered part of the “New School of Cerealogy”, a wave of researchers who reject the older extraterrestrial explanations but still insist the phenomenon has profound meaning.
Lectures & Media Presence
• Buckle has given lectures on crop circles, UFOs, and related mysteries, often weaving in themes of time loops, rabbit holes, and altered states of reality.
• His talks emphasize the psychological and spiritual impact of crop circles, suggesting they act as catalysts for awakening or expanded perception.
Connection to the Crop Circle Community
• Unlike circle makers such as Rod Dickinson or John Lundberg, Buckle is not known for physically creating formations. Instead, his role is as a commentator, interpreter, and philosopher of the phenomenon, although created a crop circle for the purpose of research.
• He positions himself against mainstream sceptics, claiming that “startling conclusions” about crop circles are being ignored or suppressed.
• His perspective appeals to those who see crop circles as mystical events rather than mere hoaxes.
Legacy & Impact
• Buckle’s contribution lies in reframing crop circles as spiritual symbols rather than puzzles to be solved.
• By connecting them to consciousness, synchronicity, and metaphysics, he has helped sustain the mystical aura of the phenomenon in the 21st century.
• His work represents a bridge between traditional UFOlogy and modern spiritual interpretations, keeping the mystery alive for audiences who thrive on wonder rather than debunking.
Bert Janssen
Bert Janssen is a Dutch researcher, author, and storyteller who became one of the most recognizable voices in the crop circle community, known for his focus on geometry, symbolism, and the psychological impact of the formations.
Early Work & Entry into Crop Circles
• Janssen began studying crop circles in the 1990s, producing detailed geometric reconstructions and professional photographs of formations.
• His early work emphasized the mathematical precision of crop circles, linking them to sacred geometry, ancient architecture, and archetypal symbolism.
• He quickly became a prominent lecturer and entertainer within the community, celebrated for his high-energy presentations that blended science, myth, and art.
Publications & Ideas
• Janssen authored The Hypnotic Power of Crop Circles (2004), which explores how crop circle designs exert a psychological and even hypnotic effect on observers.
• His writings often frame crop circles as “voices of light” in a world starved of mystery, suggesting they act as catalysts for expanded consciousness.
• He has also contributed to online archives such as Crop Circles and More, where he documents formations and explores their symbolic and geometric principles.
Lectures & Media Presence
• Janssen has appeared in documentaries, interviews, and platforms like Gaia TV, where he describes crop circles as modern mysteries with transformative potential.
• His lectures often weave together ancient cultures, shamanic teachings, and modern geometry, positioning crop circles as part of a larger spiritual narrative.
• He is known for his flamboyant storytelling style, which makes his presentations both entertaining and thought-provoking.
Legacy in the Crop Circle Community
• Unlike circle makers such as Rod Dickinson or Julian Richardson, Janssen is not known for physically creating formations. His role is as a researcher, interpreter, and communicator.
• He helped sustain the mystical aura of crop circles by emphasizing their psychological and symbolic power rather than focusing on debunking or proving human authorship.
• His work bridges geometry, consciousness studies, and myth, making him one of the most influential voices in keeping crop circles alive as a cultural and spiritual phenomenon.
Early Work & Entry into Crop Circles
• Janssen began studying crop circles in the 1990s, producing detailed geometric reconstructions and professional photographs of formations.
• His early work emphasized the mathematical precision of crop circles, linking them to sacred geometry, ancient architecture, and archetypal symbolism.
• He quickly became a prominent lecturer and entertainer within the community, celebrated for his high-energy presentations that blended science, myth, and art.
Publications & Ideas
• Janssen authored The Hypnotic Power of Crop Circles (2004), which explores how crop circle designs exert a psychological and even hypnotic effect on observers.
• His writings often frame crop circles as “voices of light” in a world starved of mystery, suggesting they act as catalysts for expanded consciousness.
• He has also contributed to online archives such as Crop Circles and More, where he documents formations and explores their symbolic and geometric principles.
Lectures & Media Presence
• Janssen has appeared in documentaries, interviews, and platforms like Gaia TV, where he describes crop circles as modern mysteries with transformative potential.
• His lectures often weave together ancient cultures, shamanic teachings, and modern geometry, positioning crop circles as part of a larger spiritual narrative.
• He is known for his flamboyant storytelling style, which makes his presentations both entertaining and thought-provoking.
Legacy in the Crop Circle Community
• Unlike circle makers such as Rod Dickinson or Julian Richardson, Janssen is not known for physically creating formations. His role is as a researcher, interpreter, and communicator.
• He helped sustain the mystical aura of crop circles by emphasizing their psychological and symbolic power rather than focusing on debunking or proving human authorship.
• His work bridges geometry, consciousness studies, and myth, making him one of the most influential voices in keeping crop circles alive as a cultural and spiritual phenomenon.
Rob Martins
Rob Martins is a crop circle researcher and commentator, best known for his fieldwork and appearances in documentaries such as Spiral Paranormal: Crop Circle Enigma (2010), where he presented findings from the 2009 season.
Role in the Crop Circle Community
• Researcher, not a maker: Unlike figures such as Rod Dickinson or John Lundberg, Martins is not documented as a circle maker. His role has been primarily as a field investigator and presenter, examining formations and sharing interpretations.
• Documentary presence: In Spiral Paranormal: Crop Circle Enigma, Martins discussed whether crop circles were genuine phenomena or manmade pictograms, showing samples from his fieldwork.
• Focus on evidence: His work emphasizes collecting samples, documenting formations, and presenting them to the public, rather than creating them.
Public Engagement
• Martins has appeared in paranormal-themed media, positioning himself as a voice for those who see crop circles as part of a wider mystery.
• His commentary often explores the possibility of non-human origins, while acknowledging the ongoing debate between sceptics and believers.
• By presenting his findings in a documentary format, he contributed to the popularization of crop circle lore during the late 2000s.
Connection to the Mystery
• Martins represents the investigative side of the crop circle phenomenon: gathering data, presenting evidence, and keeping the mystery alive for audiences.
• His work sits alongside other researchers who emphasize documentation and interpretation, rather than artistry or hoaxing.
• This makes him part of the second wave of crop circle commentators, sustaining public interest after the initial explosion of formations in the 1990s.
Legacy
• While not as prominent as major circle makers or editors like Mark Fussell, Rob Martins’ contribution lies in bridging field research with public storytelling.
• His presence in documentaries helped reinforce the mystical aura of crop circles, ensuring they remained a subject of fascination for paranormal audiences. Although Rob has made crop circles for the purpose of research. I believe his views have changed since the filming of the documentary.
Role in the Crop Circle Community
• Researcher, not a maker: Unlike figures such as Rod Dickinson or John Lundberg, Martins is not documented as a circle maker. His role has been primarily as a field investigator and presenter, examining formations and sharing interpretations.
• Documentary presence: In Spiral Paranormal: Crop Circle Enigma, Martins discussed whether crop circles were genuine phenomena or manmade pictograms, showing samples from his fieldwork.
• Focus on evidence: His work emphasizes collecting samples, documenting formations, and presenting them to the public, rather than creating them.
Public Engagement
• Martins has appeared in paranormal-themed media, positioning himself as a voice for those who see crop circles as part of a wider mystery.
• His commentary often explores the possibility of non-human origins, while acknowledging the ongoing debate between sceptics and believers.
• By presenting his findings in a documentary format, he contributed to the popularization of crop circle lore during the late 2000s.
Connection to the Mystery
• Martins represents the investigative side of the crop circle phenomenon: gathering data, presenting evidence, and keeping the mystery alive for audiences.
• His work sits alongside other researchers who emphasize documentation and interpretation, rather than artistry or hoaxing.
• This makes him part of the second wave of crop circle commentators, sustaining public interest after the initial explosion of formations in the 1990s.
Legacy
• While not as prominent as major circle makers or editors like Mark Fussell, Rob Martins’ contribution lies in bridging field research with public storytelling.
• His presence in documentaries helped reinforce the mystical aura of crop circles, ensuring they remained a subject of fascination for paranormal audiences. Although Rob has made crop circles for the purpose of research. I believe his views have changed since the filming of the documentary.
Matt Lawrence
Matt Lawrence is a British designer and land artist (Circle Maker) whose fascination with crop circles shaped both his creative career and his reputation in the art world. He is best known for blending his professional work in motion graphics with his passion for chasing and interpreting crop circle formations, eventually channelling that into large-scale land art projects.
Who is Matt Lawrence?
• Professionally: Lawrence is head of design at the London post-production house ENVY, where he works in motion graphics and visual design.
• Artistically: Outside of his day job, he pursued crop circles as both a mystery and an artistic inspiration, leading to his collaborative project b1ackprojects, which explored land art in fields and sand.
His Connection to Crop Circles
• Crop Circle Chasing: Lawrence spent years actively seeking out crop circles in southern England, immersing himself in the phenomenon. This wasn’t just casual curiosity—his “after hours” adventures became a defining part of his creative identity.
• Artistic Influence: He described crop circle creation as akin to “painting in the dark” or “sculpting blindfolded”—a metaphor for the mystery and challenge of creating or interpreting art that is vast, ephemeral, and often hidden until revealed from above.
Land Art Transition: Inspired by crop circles, Lawrence moved into broader land art forms, including sand art, where the same principles of scale, geometry, and impermanence apply. His work echoes the aesthetics of crop formations but situates them firmly within human creativity.
Cultural Context
• Lawrence’s story highlights how crop circles straddle the line between mystery and art. While some see them as paranormal or extraterrestrial, Lawrence embraced them as a form of land art—an artistic practice that uses the landscape itself as canvas.
• His career demonstrates how crop circles influenced not only folklore and belief but also design, media, and contemporary art practices.
Why He Matters in Crop Circle History
• Bridge Between Worlds: Lawrence represents a generation of artists who treated crop circles not just as curiosities but as serious artistic inspiration, helping to legitimize them within the broader field of land art.
• Creative Legacy: By founding b1ackprojects, he ensured that the visual language of crop circles—geometry, scale, mystery—continued to evolve beyond the fields of Wiltshire into other artistic mediums.
Who is Matt Lawrence?
• Professionally: Lawrence is head of design at the London post-production house ENVY, where he works in motion graphics and visual design.
• Artistically: Outside of his day job, he pursued crop circles as both a mystery and an artistic inspiration, leading to his collaborative project b1ackprojects, which explored land art in fields and sand.
His Connection to Crop Circles
• Crop Circle Chasing: Lawrence spent years actively seeking out crop circles in southern England, immersing himself in the phenomenon. This wasn’t just casual curiosity—his “after hours” adventures became a defining part of his creative identity.
• Artistic Influence: He described crop circle creation as akin to “painting in the dark” or “sculpting blindfolded”—a metaphor for the mystery and challenge of creating or interpreting art that is vast, ephemeral, and often hidden until revealed from above.
Land Art Transition: Inspired by crop circles, Lawrence moved into broader land art forms, including sand art, where the same principles of scale, geometry, and impermanence apply. His work echoes the aesthetics of crop formations but situates them firmly within human creativity.
Cultural Context
• Lawrence’s story highlights how crop circles straddle the line between mystery and art. While some see them as paranormal or extraterrestrial, Lawrence embraced them as a form of land art—an artistic practice that uses the landscape itself as canvas.
• His career demonstrates how crop circles influenced not only folklore and belief but also design, media, and contemporary art practices.
Why He Matters in Crop Circle History
• Bridge Between Worlds: Lawrence represents a generation of artists who treated crop circles not just as curiosities but as serious artistic inspiration, helping to legitimize them within the broader field of land art.
• Creative Legacy: By founding b1ackprojects, he ensured that the visual language of crop circles—geometry, scale, mystery—continued to evolve beyond the fields of Wiltshire into other artistic mediums.
B1ackprojects Team
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Martin MacKinney - not a lot out there about Martin
but it does appear that he had a strong connection with Matt Lawrence and B1ackprojects |
Some clues as to who was responsible for some creations out there.
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Winston Keech
Winston Keech is best known as an engineer, inventor, and UFO enthusiast who became a central figure in the 7‑7‑7 East Field crop circle controversy. He set up an elaborate surveillance system to capture the formation, and his footage and testimony remain among the most debated in crop circle history.
Background
• Profession: Keech is described as an engineer and inventor, with a strong interest in unexplained aerial phenomena and crop circles.
• Reputation: Within the crop circle community, he was regarded as a dedicated “watcher of the fields,” someone willing to spend long nights with cameras trained on hotspots in Wiltshire.
The 7‑7‑7 East Field Formation
• Surveillance Setup: On the night of July 6–7, 2007, Keech had a battery of cameras—from CCTV to digital camcorders—trained on East Field, hoping to catch something extraordinary.
• Footage: He released a few seconds of film showing what appeared to be a flash of light and the sudden presence of the massive “Ohm” formation. This was quickly seized upon by Norwegian filmmaker Terje Toftenes, who presented it at a small conference as evidence of a mysterious creation.
• Controversy: Later analysis suggested the “flash” was likely an electrical artefact in the recording, not a supernatural event. Critics also noted that stills from the footage showed the formation already present before the supposed flash.
Testimony & Debate
• Witness Account: Keech claimed to have seen unusual phenomena in the field, including an illuminated disk or orb moving above the crops, accompanied by a sense of being “observed”.
• Limitations: Despite the claims, Keech did not actually record the circle being made in real time. His footage remains fragmentary, and many hours of tape were never released publicly.
• Community Reaction: His quick release of partial footage, and the way it was presented without his involvement, led to lasting disputes in the crop circle research community.
Legacy
• Keech’s name is forever tied to the 7‑7‑7 East Field “Ohm” formation, one of the most famous and controversial crop circles.
• To believers, his cameras captured the closest thing to proof of a non‑human phenomenon.
• To sceptics, his footage is a cautionary tale about misinterpretation, technical artefacts, and the power of myth‑making.
Background
• Profession: Keech is described as an engineer and inventor, with a strong interest in unexplained aerial phenomena and crop circles.
• Reputation: Within the crop circle community, he was regarded as a dedicated “watcher of the fields,” someone willing to spend long nights with cameras trained on hotspots in Wiltshire.
The 7‑7‑7 East Field Formation
• Surveillance Setup: On the night of July 6–7, 2007, Keech had a battery of cameras—from CCTV to digital camcorders—trained on East Field, hoping to catch something extraordinary.
• Footage: He released a few seconds of film showing what appeared to be a flash of light and the sudden presence of the massive “Ohm” formation. This was quickly seized upon by Norwegian filmmaker Terje Toftenes, who presented it at a small conference as evidence of a mysterious creation.
• Controversy: Later analysis suggested the “flash” was likely an electrical artefact in the recording, not a supernatural event. Critics also noted that stills from the footage showed the formation already present before the supposed flash.
Testimony & Debate
• Witness Account: Keech claimed to have seen unusual phenomena in the field, including an illuminated disk or orb moving above the crops, accompanied by a sense of being “observed”.
• Limitations: Despite the claims, Keech did not actually record the circle being made in real time. His footage remains fragmentary, and many hours of tape were never released publicly.
• Community Reaction: His quick release of partial footage, and the way it was presented without his involvement, led to lasting disputes in the crop circle research community.
Legacy
• Keech’s name is forever tied to the 7‑7‑7 East Field “Ohm” formation, one of the most famous and controversial crop circles.
• To believers, his cameras captured the closest thing to proof of a non‑human phenomenon.
• To sceptics, his footage is a cautionary tale about misinterpretation, technical artefacts, and the power of myth‑making.
Peter Sorenson
Peter Sorensen — Archivist, Interpreter, and Maker
Chronicler of the Phenomenon
Peter Sorensen rose to prominence as one of the most dedicated documentarians of crop circles. Through aerial photography, diagrams, and video work, he preserved the fleeting artistry of the fields and gave the world a visual record of their geometry and mystery.
The Pi Crop Circle
Sorensen was not only a recorder of crop circles — he was also a creator. In 2008, he was behind the legendary Pi Crop Circle near Barbury Castle, a design that encoded the digits of π into a vast, elegant spiral. This formation stunned mathematicians, artists, and believers alike, becoming one of the most celebrated crop circles of all time.
Interpreter of Meaning
Beyond making and recording, Sorensen offered interpretations that linked crop circles to cymatics, vibration, and energy. His diagrams suggested that these formations were not random, but resonant with deeper patterns of nature and mathematics.
Legacy
Peter Sorensen’s dual role — as both archivist and artist — places him at the heart of crop circle history. He ensured the phenomenon was preserved, while also shaping it with his own hands. The Pi Crop Circle remains a testament to his ingenuity, bridging art, mathematics, and mystery in a single design.
Chronicler of the Phenomenon
Peter Sorensen rose to prominence as one of the most dedicated documentarians of crop circles. Through aerial photography, diagrams, and video work, he preserved the fleeting artistry of the fields and gave the world a visual record of their geometry and mystery.
The Pi Crop Circle
Sorensen was not only a recorder of crop circles — he was also a creator. In 2008, he was behind the legendary Pi Crop Circle near Barbury Castle, a design that encoded the digits of π into a vast, elegant spiral. This formation stunned mathematicians, artists, and believers alike, becoming one of the most celebrated crop circles of all time.
Interpreter of Meaning
Beyond making and recording, Sorensen offered interpretations that linked crop circles to cymatics, vibration, and energy. His diagrams suggested that these formations were not random, but resonant with deeper patterns of nature and mathematics.
Legacy
Peter Sorensen’s dual role — as both archivist and artist — places him at the heart of crop circle history. He ensured the phenomenon was preserved, while also shaping it with his own hands. The Pi Crop Circle remains a testament to his ingenuity, bridging art, mathematics, and mystery in a single design.
Olivier Morel
Olivier Morel - Researcher Photographer
Very little is publicly known about Olivier Morel’s personal background, yet within the crop‑circle community he became a recognisable and influential figure. He emerged as one of the primary photographers for the Wiltshire Crop Circle Study Group (WCCSG), stepping into a prominent role around 2009–2010 after the departure of Gary King. During this period, his photographs formed a significant part of the group’s seasonal documentation, shaping how many formations were first presented to the public.
Morel also made a brief on‑screen appearance in the documentary Crop Circles: Embrace the Mystery, which captured the personalities, tensions, and enthusiasm surrounding the phenomenon during that era. His inclusion in the film reflects the visibility he had at the time as one of the active documenters on the ground.
However, his involvement in the community was short‑lived. Behind the scenes, disputes arose between Morel and WCCSG founder Francine Blake, reportedly centred on wage payments and financial arrangements. These disagreements escalated to the point of legal intervention, drawing solicitors into what had previously been a volunteer‑driven organisation. The financial strain of the dispute — combined with the already delicate economics of running a niche research group — contributed heavily to the eventual collapse of the Wiltshire Crop Circle Study Group.
Following this period, Olivier Morel withdrew entirely from the crop‑circle scene. After 2010, he effectively vanished from public involvement, leaving behind only the photographic record and his brief documentary appearance as evidence of his time within the community.
Very little is publicly known about Olivier Morel’s personal background, yet within the crop‑circle community he became a recognisable and influential figure. He emerged as one of the primary photographers for the Wiltshire Crop Circle Study Group (WCCSG), stepping into a prominent role around 2009–2010 after the departure of Gary King. During this period, his photographs formed a significant part of the group’s seasonal documentation, shaping how many formations were first presented to the public.
Morel also made a brief on‑screen appearance in the documentary Crop Circles: Embrace the Mystery, which captured the personalities, tensions, and enthusiasm surrounding the phenomenon during that era. His inclusion in the film reflects the visibility he had at the time as one of the active documenters on the ground.
However, his involvement in the community was short‑lived. Behind the scenes, disputes arose between Morel and WCCSG founder Francine Blake, reportedly centred on wage payments and financial arrangements. These disagreements escalated to the point of legal intervention, drawing solicitors into what had previously been a volunteer‑driven organisation. The financial strain of the dispute — combined with the already delicate economics of running a niche research group — contributed heavily to the eventual collapse of the Wiltshire Crop Circle Study Group.
Following this period, Olivier Morel withdrew entirely from the crop‑circle scene. After 2010, he effectively vanished from public involvement, leaving behind only the photographic record and his brief documentary appearance as evidence of his time within the community.